Let us all remember.
He sat in a wheeled chair, waiting for dark,
And shivered in his ghastly suit of grey,
Legless, sewn short at elbow. Through the park
Voices of boys rang saddening like a hymn,
Voices of play and pleasure after day,
Till gathering sleep had mothered them from him.
About this time Town used to swing so gay
When glow-lamps budded in the light-blue trees
And girls glanced lovelier as the air grew dim,
-- In the old times, before he threw away his knees.
Now he will never feel again how slim
Girls' waists are, or how warm their subtle hands,
All of them touch him like some queer disease.
There was an artist silly for his face,
For it was younger than his youth, last year.
Now he is old; his back will never brace;
He's lost his colour very far from here,
Poured it down shell-holes till the veins ran dry,
And half his lifetime lapsed in the hot race,
And leap of purple spurted from his thigh.
One time he liked a bloodsmear down his leg,
After the matches carried shoulder-high.
It was after football, when he'd drunk a peg,
He thought he'd better join. He wonders why . . .
Someone had said he'd look a god in kilts.
That's why; and maybe, too, to please his Meg,
Aye, that was it, to please the giddy jilts,
He asked to join. He didn't have to beg;
Smiling they wrote his lie; aged nineteen years.
Germans he scarcely thought of; and no fears
Of Fear came yet. He thought of jewelled hilts
For daggers in plaid socks; of smart salutes;
And care of arms; and leave; and pay arrears;
Esprit de corps; and hints for young recruits.
And soon, he was drafted out with drums and cheers.
Some cheered him home, but not as crowds cheer Goal.
Only a solemn man who brought him fruits
Thanked him; and then inquired about his soul.
Now, he will spend a few sick years in Institutes,
And do what things the rules consider wise,
And take whatever pity they may dole.
To-night he noticed how the women's eyes
Passed from him to the strong men that were whole.
How cold and late it is! Why don't they come
And put him into bed? Why don't they come?
From the Encyclopedia of British History:
Wilfred Owen, the son of a railway worker, was born in Oswestry, on 18th March, 1893. Educated at the Birkenhead Institute and at Shrewsbury Technical School, he worked as a pupil-teacher at Wyle Cop School while preparing for his matriculation exam for the University of London. After failing to win a scholarship he found work as a teacher of English in the Berlitz School in Bordeaux.
Although he had previously thought of himself as a pacifist, in October 1915 he enlisted in the Artists' Rifles. Commissioned as a 2nd Lieutenant, he joined the Manchester Regiment in France in January, 1917. While in France Wilfred Owen began writing poems about his war experiences.
In the summer of 1917 Owen was badly concussed at the Somme after a shell landed just two yards away. After several days in a bomb crater with the mangled corpse of a fellow officer, Owen was diagnosed as suffering from shell-shock.
While recovering at Craiglockhart War Hospital he met the poet Siegfried Sassoon. Owen showed Sassoon his poetry who advised and encouraged him. So also did another writer at the hospital, Robert Graves. Sassoon suggested that Owen should write in a more direct, colloquial style. Over the next few months Owen wrote a series of poems, including Anthem for Doomed Youth, Disabled, Dulce et Decorum Est and Strange Meeting.
Sassoon introduced Owen to H. G. Wells and Arnold Bennett and helped him get some of his poems published in The Nation. Owen also had talks with William Heinemann about the publication of a collection of his poems.
In August 1918 Owen was declared fit to return to the Western Front. He fought at Beaurevoir- Fonsomme, where he was awarded the Military Cross. Wilfred Owen was killed by machine-gun fire while leading his men across the Sambre Canal on 4th November 1918. A week later the Armistice was signed. Only five of Owen's poems were published while he was alive. After Owen's death his friend, Siegfried Sassoon, arranged for the publication of his Collected Poems (1920).